Beethoven gives no indication of a tempo change here, but because the 32nd note arpeggios in these bars are nigh unplayable at the tempo marked at the top of the piece, everybody slows them down. That’s a cool idea, though - we’d like to do it in the future.I watched Wim's video on the third movement of Beethoven's Moonlight Sonata today, and I think he does have a good point about bars 163-166. No, you’ll need to update the tempo marking manually. If I use the “Guess from syncpoints” feature, then later change my syncpoints, does the tempo marking get updated automatically? This will improve things like MusicXML export. It’s always better for the system to “know” that a given piece of text is a tempo. You could indeed use inner or outer text, but you shouldn’t. If I don’t have a metronome marking, only a label, could I use “plain text” instead of a tempo marking? Can I change it so that the metronome marking comes before the label? Can I change the font of a tempo marking’s label? Tempo markings have absolutely no effect on the playback of real recordings. How do tempo markings affect “real” recordings that I’ve synced with my slice? How can I add a “swing feel” marking to my tempo marking? Soundslice uses “quarter note = 120 BPM” as the default tempo for slices that don’t have any tempo markings set. You can change this by adding a tempo marking on the very first note of the very first bar in your slice. For this initial BPM, we use whatever the slice’s initial tempo marking is. If your slice has synthetic playback active, then the Soundslice speed-changing interface will use BPM (beats per minute) instead of a percentage.
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