![]() Driscoll began working for Tiffany in 1888, and she designed the majority of the firm’s lamps before she left the company around 1909. Clara Driscoll, head of the Women’s Glass Cutting Department at Tiffany Studios, was likely responsible for designing this dragonfly shade and base. As the artistic director of Tiffany Studios located in Corona, New York, he approved all patterns but created relatively few lamps himself. In the 1890s Louis Comfort Tiffany began using his brilliantly-hued iridescent and opalescent Favrile glass to produce lamps, the decorative form for which he would become most famous. See the Hartwell Memorial Window on view at the top of the Woman’s Board Grand Staircase, and learn more about the extraordinary work. The Hartwell Memorial Window is one of Northrop’s greatest accomplishments, and its focus on the beauty of the natural world as well as its handcrafted nature encapsulates the ideals of the Arts and Crafts movement. She also, unusually, secured patents for some of her designs. She worked closely with Tiffany, at times traveling with him to see and sketch. Northrop had great artistic freedom within the firm. However, Northrop preferred the creative side of her work over the managerial and was happy to pass the role to another important designer-Clara Driscoll. During her long tenure at Tiffany she had a role in leading the Women’s Department, a group of female artisans who selected and cut the glass for the studio’s intricate projects. Working primarily as a designer for landscape windows, she had a particular eye for flora and fauna and often completed designs for specially commissioned windows. She joined Tiffany Studios in 1884, and became a major creative contributor over the course of her five-decade-long career. Agnes Northrop was the visionary designer behind the Hartwell Memorial Window.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |